Jaisay Chaho Jiyo and Aao Wahan Chalain, Ali Zafar’s startling Chanoo ki Ankh, Jal’s splendid addat and yes even Ali Haider's insipid but still memorably melodic Chandi Ratain. Abrar's Preeto was the novelty hit of the year. The Pepsi Battle of the Bands did a great job in throwing up a wealth of talent. EP, Aaroh, Brain Massala, Messiah, Schahzad Hameed and others all have Pepsi to thank. The Pepsi Battle of the Bands got all these fledgling bands great exposure.

Recently, a team of talented Pakistani musicians and artists took the long road to Mumbai, via Dubai, possibly to make history, for this was the first time in recent memory that Pakistanis had gone to India to create the background score for a Bollywood film. The film in question is Pooja Bhatt's Paap, and former Vital Sign Shehzad 'Shahi' Hasan, cinematographer Faisal Rafi, singer Rahat Fateh Ali Khan and studio session player and keyboardist Faiz Ali Naqvi, were the foursome representing the world of Pakistani music in India.

Strings enjoyed considerable success with Dhaani. Probably the most hyped album of the year, with lead single Chaaye Chaaye being the standout favourite. String gave the soundtrack for Spiderman 2 which was a remarkable effort.

Junaid Jamshed's Dil Ki Baat was understated but assured and notwithstanding JJ's quite public and tortured ruminations over religion and music, the album showed that JJ is still competent at middle of the road pop and that Shoaib Mansoor still has the magic touch. Shahzad Roy's Rab Jane was hobbled by his illness and yet catches the fire while Karavan's Gardish seems to have suddenly picked up and was sold like hot-cakes. Schahzad Mughal's Jhoom Lay was one of the most pleasant of surprises of the year.

So this proves that our music industry has dared to move forward with hope rather than skepticism.